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The Agony, the Ecstasy, and the Unopened Envelope: A Writer’s Confession

Writer: Bazza J
Bazza J
Sep 11
3 min read

Is there anything more soul‑destroying than knowing exactly what you want to do — and yet being utterly, maddeningly unable to do it?

I think that’s the ultimate curse of the writer.

We want to write. We need to write. For us, putting pen to paper (or fingers to a glowing keyboard) isn’t a hobby; it’s an involuntary bodily function, right up there with breathing and consuming unnecessary amounts of coffee. But unless we’re struck by the rare lightning bolt of Lady Luck, turning that passion into a paycheck is the one thing that continually eludes us.

If you’re anything like me, you’re part of the secret society of midnight wordsmiths. We squirrel away the odd hour between mundane jobs, adulting and everything else that life puts in your way to indulge our passion. Then we walk past the local bookstore, staring wistfully at the authors whose crisp, pristine prose stands proudly on the shelves.

We tilt our heads and ask the age‑old, agonising question: How on earth did they do it?


The Torture of Almost

To be paid to write. Oh, the sheer, unadulterated fantasy of it. To earn a living doing the exact thing you’d happily do for free, provided someone bought your lunch. I can taste it. I can feel the weight of a hardback in my hands. I can see my name printed in bold letters on a spine that doesn’t belong to a self‑published notebook.

I just can’t quite reach it.

Don't get me wrong here, I have work I’m fiercely proud of. Manuscripts I’m practically desperate to thrust into the hands of the reading public. (Believe me, it’s not for lack of trying. My query letter history reads like a desperate cry for help sent out to a largely apathetic universe.)

Yet that golden globe of full‑time writing happiness still dances just out of reach, laughing at me with its tiny, imaginary, mocking voice.


The Day Job Dilemma

Let’s be honest. The greatest villain in any writer’s life isn’t writer’s block, a harsh critic, or even a dangling participle. It’s the Alarm Clock of Economic Reality.

I spend twelve hours a day trading my precious life force for currency doing other things. I manage spreadsheets, patrol, ensure everything is secure, and sit in the solitude of a darkened room drinking copious amounts of coffee I wouldn’t serve my cat, watching monochrome images flicker across miniature screens.

By the time I clock out, grab a quick bite, and finally sit down at the desk, my brain is the consistency of warm oatmeal. The grand, sprawling fantasy epic that was supposed to pour out of my fingertips dissolves into a staring contest with a blinking cursor until I give up and watch reruns of The Great British Baking Show instead.

I don’t suffer from writer’s block; I’m just exhausted.


The Rejection Rollercoaster

And then, of course, there’s the submission process — the sheer masochism of sending your literary baby out into the cold, cruel world of agents and publishing houses.

There are days when you convince yourself, This is it. This is the one. You refresh your inbox so often Gmail threatens to block your IP address.

And what do you get? A form rejection so delightfully polite it almost hurts more than a slap in the face.

“Dear Author, while we appreciate the chance to look at your work, unfortunately, it doesn’t quite fit our current editorial needs…”

Translation: Thanks for playing. Try again never.

It’s enough to make you want to throw your laptop out the window and take up extreme basket weaving.


Here We Are Again

So once again, I ask the question: why do we do it? If it’s this exhausting, this heartbreaking, and this seemingly impossible, why don’t we just pack it in? Take up golf. Collect vintage spoons. Or, as my long‑suffering partner puts it — do something normal.

Because every once in a while — just when you’re ready to consign your magnum opus to the digital recycle bin — you write a sentence so good, so effortlessly perfect, that it gives you goosebumps.

In that fleeting moment, the rejection doesn’t matter. The day job doesn’t matter. The empty bank account doesn’t matter. You remember why you fell in love with writing in the first place.

So to all my fellow scribblers, dreamers, and perpetual query‑senders, I say this: keep going. Keep writing in the margins of your life. Walk past that bookstore, look at those shelves, and let it fuel the fire instead of dousing it.

Lady Luck is notoriously fickle, but persistence? Persistence is entirely up to us. And who knows — maybe one day soon, some tired writer will walk past a bookstore, see our book sitting proudly on the shelf, and wonder how we did it.

Until then, pass the coffee. There are still chapters we have to write.

 
 
 

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